Who is being promoted by publishers? The young? The established? The well-known? Yes, all three. The breakthrough artist as well.
Are avenues for writers scarce, these days? I’d like to think I would keep on trying them.
They tell me it’s so; the customer service rep, the company, the retailer. They tell me! And I felt it more now. I shouldn’t, but I did. And that we do, that I do, that you do, that no one else but you and no one else but me does. We are all special—as consumers. And when I am the customer service rep and the company man and get paid, I know how all those customer service reps must feel when they I pay them, because of my custom. It feels just wonderful.
Authors must face publishing reality. What ever that publishing reality is. Years ago, I ploughed headlong into my fiction thinking it would get published someday. But when I got rejection slips saying my fiction didn’t fit their publishing needs, I withered a bit, and learnt that I just can’t go in there and get my work published. If I want to get published with a certain publisher, it’s about knowing them very well, and catering the work to their publishing needs. This is the publishing reality I am talking about. It may even entail me reading what other authors have done with that publisher. It’s no easy path to getting the book deal. This may seem obvious, but to know it, rather than sense it, are two different things.
Just say one wanted to write something for a monthly, with sixteen pages in between it’s covers. Well, sixteen is not much, I must say. Where would someone come in there, if one wanted something published every month, as a freelancer and not a staff writer?