Whatever you do do it well-Walt Disney
I’d like to avoid the difficult editing stages of polishing a piece of writing, so I may delay doing it, even so ending up having to do it, because I just gotta. It is thinking about what I want out of the piece that motivates me to “rise up” mentally and take the bull to the horns as they say. Without a good polish, I am left with regret and sorrow over a piece that could have been so much better with a polish. Then, there’s someone saying, “it’s all good” which makes me feel better, but not reassured. To be reassured is knowing that the piece is good in my own mind–but thanks for the encouragement, very much. Keep on polishing until satisfied.
Because the piece would sound terrible if I did not revise. Sometimes, I can get away without revising, but most times I must. It shows that one is not perfect the first time. There will be mistakes and errors that go unnoticed the first time, so when one comes back to the piece, one sees the problems and fixes them. Revision is hard work, but can produce beautiful work.
I told the ed. : who have you seen like Mr.? That can deliver like Mr.? No one I tell you. But he put up borders. I was from here, he was from there. Borders are a problem for writers, if one’s not a local, trying to write internationally, and international writers are an issue for the publication you are trying to write for. You can get in there, though, without telling them, using cunning and their sheer trust and ignorance. But you may get found out and they have a problem with non-locals writing for local publications. The publication’s national pride could be a reason for such circumspect behavior. Some publishers are insular looking and very sensitive to local authenticity and accuracy. They may say, “Don’t want a foreigner writing about our issues” or whatever it happens to be, even if generic or general issues that affect everyone. Maybe getting sidelined because you are from another country is that the publication likes to serve “their own”. It comes down to “family”. But then that excludes the human family. That is a contradiction and problem. Therefore, borders are always going to be a problem for a writer, but getting in there is not impossible. With an unidentifiable email and an open minded editor, who may even know your real identify somehow, but who may give you a chance, you may get around the bureaucracy and get some credits and money. Until someone else finds out and resists the temptation of beautiful work. But never approach a publisher if they say “no international writers wanted” in their writer’s guidelines. That would be unethical if you did.
Can a writer think or write and listen to a loved one at the same time? This requires time management, said the advisor.
Personal, critical. One is personal about media. One can be critical with a criteria. The two can contradict, the two can overlap, the two can coincide. Complex.