Running in parallel

In “The Wind in the Willows”, a children’s book that’s considered a classic and that I am presently reading, there’s the main action and we find out later what was going on in parallel to that action in a conversational scene. The author chose to tell what happened in parallel in just one scene. I found this worked perfectly, in this case. So, the question I have, is why would an author choose one lot of action first and tell the reader what happened in parallel later on, in just one scene? I think the author must know how this choice would effect the flow of the story. It may flow better that way. By telling two stories at once in parallel may lesson the effectiveness of the story as a whole. You may lose the gist of the story. Parallel plot lines — where two stories are told in parallel at virtually the same time — are the exception and one uses it only for the purposes of telling the story more effectively, without losing the gist of the story.


What fiction I am reading. “The Wind in the Willows”, by Kenneth Grahame, first published 1908. Reading this is like taking a leisurely stroll. Wind in the Willows is measured by simplicity and brightness, as it follows the beautiful exchanges, pleasantries and adventures of Mole, Rat, Toad of Toad Hall, and Badger, who mirror life in the animal world but have human-like characteristics. Their adventures in the wilds is shadowed by the human world above, with its motor vehicles, while the seasons pass lyrically for animal and human. There is one word for it and I try not to use this word lightly: it’s utterly delightful. I am currently up to page 80 and it’s not dulling.