Going by a success, a contributor has faith that their work has potential and can be picked up again—from the same publisher and from others. For me, I may get ahead of myself and get all excited and rush off another piece. But one should take these things in their stride and avoid disappointment. For a rushed contribution can be a flawed one. So, I am trying to tread more cautiously these days.
Everyone’s asked me, what was good about The Angry Birds Movie? So, I told them:
It is always wonderful to have a piece accepted. It gives me a sense of satisfaction and motivation to do more. It is encouraging. Not that I crave to be published. I do not even crave to be published with just any kind of publisher. That might smack of compromise if the publisher is not up by alley. Yet the thought may be present—just go if it, anywhere will do! I usually think twice, though.
I dislike my work being rejected. Loathe it. Who doesn’t? But being accepted after several rejections is a faith-building experience. I keep on going, then. It gives me a reason to keep on going. Why not? An acceptance of a piece keeps the ball rolling. Why stop? Only when my work is being totally outright rejected. When I get an acceptance, it will build confidence to submit the next one. It is like the tennis player scoring a game and goes ahead three games to two. There is a motivating reason to win the next game.
I hate cutting short a writing opportunity, one where my foot is in the door. It may need to be done on occasion, though. It is usually the employer or publisher that terminates an opportunity or a job, but sometimes the writer also does. Why, o, why, though? But if I cut short something, it is because I can see no way forward with the publisher. If I have been submitting unusable or unsuitable material, I am also quick to admit that I can change some things about my work that may be better for both of us. However, if a payback is not going to be obviously forthcoming, I would not bother. On the other hand, if a writer or employee is in the throes of a job and the publisher or employer terminates the job for good reason, the pain is on the writer’s side, and it is indeed painful. These situations are not very nice at all. But sometimes there is no way forward after a certain amount of time has come and gone and no further progress has been made. Why bother?